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Lesson 26 · 5/5

Drawing Textures and Materials

Metal, glass, wood, fur and fabric: how to suggest any surface.

12 min Intermediate

How do you make a drawing feel like wood, glass, metal or fur? Texture is mostly about two things: how a surface reflects light and what small marks you use to suggest its details. You never draw every hair or every grain of sand; you suggest them.

Texture starts with form and value

Before texture, get the form and the big values right. Texture is the last layer, applied on top of a solid light-and-shadow structure. A furry ball is still a sphere with a light side and a shadow side.

Wood, polished metal, glass and fur: each material has its own light pattern and marks.

Reflective vs. matte surfaces

  • Matte surfaces (paper, unpolished wood, chalk) scatter light: soft gradients, small or no highlights.
  • Glossy surfaces (plastic, ceramic, wet skin): sharp, bright highlights on top of a normal value pattern.
  • Mirror-like surfaces (chrome, polished metal): they reflect their surroundings. Expect high contrast, sharp edges, dark and light bands, and very little "own" value.

Recipes for common materials

  • Wood: draw the grain as long, flowing lines that follow the form, with occasional knots. Keep lines darker in the shadow.
  • Metal: strong contrast, abrupt jumps from very light to very dark, reflections of the horizon (a light band over a dark band).
  • Glass: mostly the background seen through it, slightly distorted, plus sharp highlights and dark edges where the glass is thickest.
  • Fur and hair: work in clumps, not individual hairs. Shade the mass, then add a few strands at the edges and in the halftone, following the direction of growth.
  • Fabric: soft value transitions and folds (see the folds lesson); add texture like knit or denim only at the focal point.
  • Stone and bark: irregular, broken lines and dots; cracks drawn as dark lines with a light edge next to them.

Tools for texture

  • Indenting: press lines into the paper with a blunt stylus before shading; they stay white (great for whiskers or fine hairs).
  • Eraser lifting: draw light textures into a tone with a kneaded eraser.
  • Frottage: put paper on a textured surface and rub graphite over it.
  • Varied marks: stippling, scribbling, short dashes (see hatching).

Exercise 1

Material swatches

Draw six spheres and give each a different material: wood, chrome, glass, fur, rubber and stone. Keep the same light direction for all.

Exercise 2

Texture hunt

Find five objects with different textures in your home. Draw a 5×5 cm close-up of each texture, then a small full drawing of the object.

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